Every street photographer asks this eventually. The honest answer is
that the fear does not fully go away — but it changes shape. On what
actually replaced it, and why that shift matters more than courage.
Street photography in Paris deserves a more honest introduction than
it usually gets. On what the city does to a photographer who decides
to stay, and why the material never runs out.
Part 2 of a two-part series on photographing Paris with intention.
Multiple projects running in parallel, the difference between a
project you plan and one that finds you, and what a neighbourhood
teaches me when I decided to stay.
Part 1 of a two-part series on photographing Paris with intention.
When everybody is coming to Paris, why do I have to leave? On staying
put, the neighbourhoods that have barely been photographed, and
shooting the streets where you live.
The advantage of being an outsider: how living in Paris as a foreigner
kept my eye sharp, and why three award-winning photographs all turned
out to be crowd shots.
How attending a postgraduate business program in France led
unexpectedly to a photography exhibition, and eventually to
photographing the streets of Paris.